nik bartsch

Što slušate i volite podijelite sa drugima
Odgovori
Avatar
oßliK
rank3
Postovi: 59
Pridružen/a: 14.10.2010, 16:46
Ima zahvala: 10 puta
 pohvaljen: 7 puta

nik bartsch

Post Postao/la oßliK »

slika

Ecstasy through asceticism


RITUAL GROOVE MUSIC, the title of my first CD, also points to the fundamental concept of my musical thinking. The music shows a close affinity to architecturally organized space and is governed by the principles of repetition and reduction as well as by interlocking rhythms. A piece of music can be entered, inhabited like a room. It moves forward and transforms through obsessive circular movements, superimposition of different meters and micro-interplay. The listeners attention is directed toward minimal variations and phrasing. The band becomes an integral organism - like an animal, a habitat, an urban space. One must think with ears and hands.


Normally, we work in three distinct formations. The group MOBILE plays purely acoustic music, performed in rituals of up to 36 hours, including light- and room design. The Zen-funk quartet RONIN, by contrast, is more flexible and plays the compositions more freely. As a solo performer I perform my compositions on prepared piano with percussion.


Despite the tightly organized compositional construction, improvisation plays an important role in our music. On the one hand, accentuation, ghost notes, and variations within a composition are tossed back and forth between the musicians; on the other hand, a particular voice within a composition might have more freedom than the others. In doing so, that voice forms an independent module that can interact with the strictly notated interlocking patterns in continuously changing ways. Groove-habitats or void musical space of raw poetry emerge.


My thinking and music are based on the tradition of urban space. They are not distilled from a national or stylistic tradition but from the universal sound of cities. The city in its roaring diversity requires an ability to focus and concentrate on the essential: to measure one’s actions, to remain silent at the right place. This music draws its energy from the tension between compositional precision and the self-circumvention of improvisation. From self-implied restriction stems freedom. Ecstasy through asceticism.

Nik Bärtsch

http://www.nikbaertsch.com/


http://www.youtube.com/watch?v=W_pd6j4mrkk

http://www.youtube.com/watch?v=qX3vto4IZN8

http://www.youtube.com/watch?v=wXQ9j05WpZU

http://www.youtube.com/watch?v=GERwAQ9196k

tralalalalaaaaaaa.... :fly2:
Odgovori